Related Paintings of unknow artist :. | Brod Limbourg, August from Les Tres Riches Heures du Duc de Berry | Still life floral, all kinds of reality flowers oil painting 38 | Potok gorski | Roman de la Rose | The New Espana personified before the imperial majesty of Carlos V the isabel of Portugal |
Related Artists:
staffan hallstrom
Staffan Hallström, född 1914 i Stockholm, död 1976, var en svensk målare och tecknare. Staffan Hallström föräldrar var Gustaf Hallström, antikvarie vid Statens historiska museum och Astrid Hallström, född Berg. Han studerade på Gerlesborgsskolan, Tekniska skolan 1932-34 och vid Kungliga Konsthögskolan i Stockholm 1935-41 för bland annat Isaac Grenewald och Olle Hjortzberg 1935-41. Han företog studieresor till Frankrike, Italien, Nederländerna och Belgien. Staffan Hallström bodde och arbetade under 1940-talet i Saltsjö-Duvnäs, där han hyrde rum av konstnären Olle Nyman. Han fick då kontakt med Evert Lundqvist, som inspirerade honom och gav honom stöd. Tillsammans med Olle Nyman, Evert Lundqvist och Roland Kempe ingick han i Saltsjö-Duvnäs-gruppen. Senare hade han även atelje på Varvsgatan och kombinerad bostad och atelje vid Brunkebergstorg. År 1946 hade han sin debututställning på Konstnärshuset i Stockholm. Han slog igenom med utställningen Hundra målningar på Konstakademien 1961 och spåddes då lysande framtid framför allt av skulptören Torsten Renqvist. Staffan Hallström, arbetade i nyexpressionistisk stil och bland hans mest kända verk är Ingens hundar från 1958, som köptes in av Moderna museet. Detta motiv målade han sedan i olika versioner. Tillsammans med Lasse Andreasson gestaltade han 1972 Masmos tunnelbanestation med verket Ta ned solen i tunnelbanan, målningar på plåt utefter spårväggarna. Han är representerad på bland annat Moderna och Nationalmuseum. .
Earle Grantham Teale
American , 1886-1919
Edward William Cooke
British Painter, 1811-1880 was an English painter and gardener. Cooke was born in London. His father George and uncle, William Bernard, were both well-known engravers and Cooke was raised in their wide artistic circle. He was a precocious draughtsman and a skilled engraver from an early age, displayed an equal preference for marine subjects and published his 'Shipping and Craft' C a series of accomplished engravings C when he was 18, in 1829. He benefited from the advice of many of his father's associates, notably Clarkson Stanfield (whose principal marine follower he became) and David Roberts. Cooke began painting in oils in 1833, took formal lessons from James Stark in 1834 and first exhibited at the Royal Academy and British Institution in 1835, by which time his style was essentially formed. He went on to travel and paint with great industry at home and abroad, indulging his love of the 17th-century Dutch marine artists with a visit to Holland in 1837. He returned regularly over the next 23 years, studying the effects of the coastal landscape and light, as well as the works of the country's Old Masters, resulting in highly successful paintings. These included 'Beaching a Pink at Scheveningen' (National Maritime Museum, London), which he exhibited in 1855 at the Royal Academy, of which he was an Associate from 1851. He went on to travel in Scandinavia, Spain, North Africa and, above all, to Venice.") Cooke was "particularly attracted by the Isle of Wight, and on his formative visit of 1835 he made a thorough study of its fishing boats and lobster pots; above all he delighted in the beaches strewn with rocks of various kinds, fishing tackle, breakwaters and small timber-propped jetties He also had serious natural history and geological interests, being a Fellow of the Linnean Society, Fellow of the Geological Society and Fellow of the Zoological Society,